Steven Spielberg’s ‘Schindler’s List’ and Quentin Tarantino’s ‘Inglourious Basterds’ prove that populist approaches can deal with horrific events with subtlety and introspection. Essay by Robert Mitchell.
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‘She Said’ (2022), Maria Schrader’s empowering take on the uncovering of the Harvey Weinstein scandal starring Carey Mulligan, Zoe Kazan, is testament to the impact of female solidarity. Review by Gala Woolley.
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Director Edward Berger and Netflix present ‘All Quiet on the Western Front’ (2022), an adaptation of a powerful anti-war novel that hits like a Howitzer. Review by Sam Sewell-Peterson.
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Curtis Hanson’s all-star crime drama ‘L.A. Confidential’ is 25, and it remains a concise analysis and presentation of masculinity. One that hit Craig Gent in a particularly personal way.
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Michael Keaton gives an iconic performance at the head of a brilliant ensemble cast in Tim Burton’s macabre Halloween movie ‘Beetlejuice’ (1988). Review by Elisabetta Pulcini.
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Billy Eichner co-writes and stars in ‘Bros’, the first gay rom-com produced by a Hollywood studio with a predominantly LGBTQ+ cast. Review by Emily Nighman.
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Don Siegel’s horror classic ‘Invasion of the Body Snatchers’ (1956) is right to be revered as such, it being an important film with remarkable ideas. Review by Kieran Judge.
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Charles Laughton’s 1965 horror film ‘The Night of the Hunter’ presents Robert Mitchum’s preacher as a man who “manipulates people through their religious beliefs”. Essay by Nicole Sanacore.
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‘Rosaline’, a 2022 Karen Maine film adaptation of “When You Were Mine” by Rebecca Searle, based on characters from “Romeo & Juliet” is a fun, easy watch. Review by Rehana Nurmahi.
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The world's 2nd largest cinema chain, Cineworld, have announced that