Clio Barnard’s feature debut, documentary ‘The Arbor’ (2010), tells the truth of impoverished Great Britain through the tragedy of Andrea Dunbar and her family’s posthumous devastation. Joseph Wade reviews.
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Toxic masculinity and violence in ‘Green Street’ (2005) starring Elijah Wood and Charlie Hunnam. How critique of the film seems to have missed the point, as written by George Forster.
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“Environmentalism, war and peace, pride and corruption, coming of age and redemption” – Hayao Miyazaki and Studio Ghibli’s animation ‘Howl’s Moving Castle’ (2004) reviewed by Sam Sewell-Peterson.
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New Blumhouse fantasy-thriller-horror ‘Fantasy Island’ (2020) might be worth a watch if you’re a fan of Lucy Hale, but it won’t thrill fans of the genre quite like a ‘Get Out’. Sophie Cook reviews.
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Studio Ghibli’s first fully computer-animated feature, from lesser known Ghibli director Isao Takahata, is a unique though very different animated vision from Hayao Miyazaki’s. Sam Sewell-Peterson’s review.
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How ‘Vivarium’ (2020) succeeds in frustrating some and enlightening others through its choice of presenting actively-passive characters against all usual writing principles. Essay by Kieran Judge.
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Justin Kurzel (Macbeth; Assassin’s Creed) takes on the legend of Ned Kelly in his Western turned punk performance piece starring ‘1917’ star George MacKay. Sam Sewell-Peterson reviews.
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Todd Haynes takes inspiration from the horror genre to intelligently present the real-life story of a lawyer who uncovered one of America’s largest ever conspiracies. DuPont are taken to task in ‘Dark Waters’ (2020) reviewed by Annice White.
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The world's 2nd largest cinema chain, Cineworld, have announced that