Studio Ghibli’s ‘Arrietty’ (‘The Secret World of Arrietty’ in the USA) is a film that captivates you from the first minute to the last. Sam Sewell-Peterson reviews Ghibli’s animated adaptation of “The Borrowers”.
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Palme d’Or winning director Hirokazu Koreeda follows up his smash hit ‘Shoplifters’ with ‘The Truth’, his first film made outside of his first language, starring Juliette Binoche and Catherine Deneuve. Sam Sewell-Peterson reviews.
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With the future of the film industry uncertain, people are turning to the ultimate form of escapism: the movie musical. Could the often suppressed genre be cinema’s next big trend? Charlie Gardiner explores.
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Bong Joon-ho’s Best Picture Oscar winning feature ‘Parasite’ (2019/2020) makes spectacular use of windows to establish and reinforce themes. Sam Sewell-Peterson explores in this ‘Parasite’ essay.
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Is new Vin Diesel action film worth a shot on VOD? Jacob Davis takes a look in his review of ‘Bloodshot’ (2020) from director David S.F. Wilson.
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‘Expect an unexpectedly satirical edge’ to Hayao Miyazaki’s ‘Porco Rosso’ (1992), a strange diversion from the usual Studio Ghibli output. Review by Sam Sewell-Peterson.
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When plot twists work and when they don’t. Kieran Judge explores one of cinema’s most controversial, discussion stirring narrative elements, ruminating on some of the form’s best and most famous examples.
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The world's 2nd largest cinema chain, Cineworld, have announced that