The Imaginary (2023) Review

The Imaginary (2023) Review

From some of the creative minds behind ‘Spirited Away’ comes 2024 Netflix anime ‘The Imaginary’, a children’s film for adults that is a little too boring to be a classic. Review by Martha Lane.

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‘Anatomy of a Murder’ at 65 – Review

‘Anatomy of a Murder’ at 65 – Review

James Stewart and George C. Scott are a wonder to behold in Otto Preminger’s strange, uneasy, and altogether brilliant courtroom drama ‘Anatomy of a Murder’ (1959). Review by Kieran Judge.

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Lumberjack the Monster (2023) Review

Lumberjack the Monster (2023) Review

The latest movie from provocative filmmaker Takashi Miike, ‘Lumberjack the Monster’ (2023), seems lacking the shock factor necessary to gain attention. Review by Lauren Frison.

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Kinds of Kindness (2024) Review

Kinds of Kindness (2024) Review

Yorgos Lanthimos follows ‘Poor Things’ with one of the best films of his career, the messed up ensemble piece ‘Kinds of Kindness’ – a film not to be missed. Review by Mark Carnochan.

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Sister Wives (2024) Short Film Review

Sister Wives (2024) Short Film Review

Louisa Connolly-Burnham writes, directs and stars in ‘Sister Wives’, a heartfelt story of control, freedom and expression, co-starring Mia McKenna-Bruce. Review by Kieran Judge.

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‘The Notebook’ at 20 – Review

‘The Notebook’ at 20 – Review

20 years on from the release of Ryan Gosling and Rachel McAdams romance ‘The Notebook’, its pop culture significance is earned, its performances affecting. Review by Margaret Roarty.

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‘The Lion King’ at 30 – Review

‘The Lion King’ at 30 – Review

Three decades on, Disney Animation’s ‘The Lion King’ remains a classic. The jewel in the Disney Renaissance crown is an untouchable icon of pop culture. Review by Sam Sewell-Peterson.

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True Romance (1993) Review

True Romance (1993) Review

The iconic female protagonist steals the show in ‘True Romance’ (1993), the movie about two lovers on the run written by Quentin Tarantino and directed by Tony Scott. Review by Gala Woolley.

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‘Chinatown’ at 50 – Review

‘Chinatown’ at 50 – Review

Jack Nicholson owns every scene in ‘Chinatown’ (1974) which, at fifty years old, is timeless and a near-perfect example of the form. Review by Sam Sewell-Peterson.

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‘Tarzan’ at 25 – Review

‘Tarzan’ at 25 – Review

‘Tarzan’ (1999) arrived into cinemas at the peak of Disney Animation’s powers, and presented a nuanced and creative take powered by a reputable Phil Collins soundtrack. Review by Rehana Nurmahi.

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