Rye Lane (2023) Review

Rye Lane (2023) Review

Raine Allen-Miller’s BAFTA-nominated British romcom ‘Rye Lane’ is as busy and vibrant as London itself, ‘Love Actually’ in Peckham. Review by Rob Jones.

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Anatomy of a Fall (2023) Review

Anatomy of a Fall (2023) Review

Justine Triet’s Oscar-nominated, Cannes Palme d’Or winner ‘Anatomy of a Fall’ features one of the great performances of 2023 from Sandra Hüller as a woman on trial for murder. Review by Joseph Wade.

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All of Us Strangers (2023) Review

All of Us Strangers (2023) Review

‘All of Us Strangers’ (2023) is leaving viewers in floods of tears, Andrew Haigh and actors Andrew Scott and Paul Mescal offering a devastating new love story. Review by Mark Carnochan.

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‘Sleeping Beauty’ at 65 – Review

‘Sleeping Beauty’ at 65 – Review

Though ‘Sleeping Beauty’ (1959) is not one of Disney’s strongest films, this fairy tale features surprisingly feminist characters and a compelling villain. Review by Emily Nighman.

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The Holdovers (2023) Review

The Holdovers (2023) Review

Paul Giamatti, Da’Vine Joy Randolph and Dominic Sessa anchor Alexander Payne’s human drama ‘The Holdovers’, a multi-time Oscar nominee in 2024. Review by Sam Sewell-Peterson.

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Sunset Boulevard (1950) Review

Sunset Boulevard (1950) Review

Billy Wilder’s self-reflective movie about Hollywood, ‘Sunset Boulevard’ (1950), is still meaningful, visually impressive and relevant a lifetime after its release. Review by Clotilde Chinnici.

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Mulholland Drive (2001) Review

Mulholland Drive (2001) Review

David Lynch 2001 mystery thriller ‘Mulholland Drive’ starring Naomi Watts is a provocative piece of art presented with expert craft. Review by Jacob Davis.

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Destroy All Neighbors (2024) Review

Destroy All Neighbors (2024) Review

‘Destroy All Neighbors’ is an over-the-top horror-comedy B movie sendup that fails to deliver on its outrageous premise for its duration. Review by Kieran Judge.

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Mean Girls (2024) Review

Mean Girls (2024) Review

The 2024 ‘Mean Girls’ musical is as brittle and fake as plastic, Tina Fey phoning in what could have been a meaningful remake. Review by Margaret Roarty.

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