‘The Piano’ at 30 – Review
The first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreStill relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
Read MoreIn some respects, Robert Zemeckis film ‘Who Framed Roger Rabbit’ may seem dated, but it remains a relevant trailblazer with an unforgettable lead pairing. Review by Martha Lane.
Read More‘The Bling Ring’ at 10. Sofia Coppola made a timely commentary on celebrity culture and social media that remains relevant today. Stars Emma Watson. Review by Grace Laidler.
Read More‘Jurassic Park’ turns 30. Steven Spielberg’s dinosaur classic movie avoids cliché, is driven by character, and is a genre-defining piece even now. Review by Martha Lane.
Read MoreAfter 25 years, Peter Weir’s ‘The Truman Show’ starring Jim Carrey is a meticulously crafted, stylistically subversive, titanic cultural influence. Review by Sam Sewell-Peterson.
Read MoreGreta Gerwig co-writes and stars in ‘Frances Ha’, from ‘Marriage Story’ director Noah Baumbach, a poignant watch for anyone undergoing construction in their life. Review by Emi Grant.
Read MoreDirector Michael Curtiz and star Errol Flynn bring Robin Hood to life in the greatest ever film adaptation of the British legend, a Technicolor masterpiece. Review by Sam Sewell-Peterson.
Read More15 years on from the release of the Wachowskis’ ‘Speed Racer’, the all-star anime adaptation is rightly undergoing some critical reappraisal. Review by Sam Sewell-Peterson.
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