‘Sleeping Beauty’ at 65 – Review
Though ‘Sleeping Beauty’ (1959) is not one of Disney’s strongest films, this fairy tale features surprisingly feminist characters and a compelling villain. Review by Emily Nighman.
Read MoreThough ‘Sleeping Beauty’ (1959) is not one of Disney’s strongest films, this fairy tale features surprisingly feminist characters and a compelling villain. Review by Emily Nighman.
Read MoreBilly Wilder’s self-reflective movie about Hollywood, ‘Sunset Boulevard’ (1950), is still meaningful, visually impressive and relevant a lifetime after its release. Review by Clotilde Chinnici.
Read MoreDavid Lynch 2001 mystery thriller ‘Mulholland Drive’ starring Naomi Watts is a provocative piece of art presented with expert craft. Review by Jacob Davis.
Read MoreSidney Lumet and Paddy Chayefsky’s ‘Network’ (1976) truly was a film ahead of its time, putting all ends of the political spectrum to task. Review by Kieran Judge.
Read MoreThe 1978 sci-fi horror adaptation ‘Invasion of the Body Snatchers’ starring Donald Sutherland remains an all-time classic 45 years on from its release. Review by Kieran Judge.
Read MoreCecil B. DeMille’s 1923 silent epic ‘The Ten Commandments’ is impossible to watch without your mouth hanging open in awe. The artistry is astounding. Review by Margaret Roarty.
Read MoreGeorge Cukor’s 1933 adaptation of Louisa May Alcott’s “Little Women” starring Katharine Hepburn is perfect for those who may need an umbrella during a sun shower. Review by Margaret Roarty.
Read MoreThere is a universal truth at the core of John Hughes’ ‘Planes, Trains and Automobiles’ (1987), an exercise in empathy that has maintained its potency. Review by Connell Oberman.
Read MoreWalt Disney Animation mega-hit ‘Frozen’ is 10, and with a progressive and influential central narrative it maintains its impact and importance. Review by Martha Lane.
Read MoreThe legacy of Taxi Driver (1976) may not endure in a post-Trump world, but Martin Scorsese’s film starring Robert De Niro remains a landmark work of US cinema. Review by Jacob Davis.
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