Brian and Charles (2022) Review
If you like deadpan delivery and surreal asides, you’ll have a great time with British mockumentary ‘Brian and Charles’ (2022), from David Earl and Chris Hayward. Review by Sam Sewell-Peterson.
Read MoreIf you like deadpan delivery and surreal asides, you’ll have a great time with British mockumentary ‘Brian and Charles’ (2022), from David Earl and Chris Hayward. Review by Sam Sewell-Peterson.
Read MoreThe Sea Beast, the classic combination of adventure, humour, a smart-alec kid, a reluctant adult, animal sidekick and a heart-warming lesson to learn. Review by Martha Lane.
Read MoreSarah Polley’s Oscar-nominated ‘Women Talking’ (2022) starring Rooney Mara, Claire Foy and Jessie Buckley, is an empathetic conversation about sexual assault and community. Review by Emi Grant.
Read More‘Tuesday’ (2015), the debut short film from ‘Aftersun’ writer-director Charlotte Wells, “feels like a small peak through the looking glass” at the much-celebrated filmmaker’s traits. Review by Joseph Wade.
Read MoreM Night Shyamalan asks apocalypse-sized questions in his newest campy and philosophical film Knock at the Cabin (2022) starring Dave Bautista, Jonathan Groff. Review by Emi Grant.
Read MoreDarren Aronofsky adapts Samuel D. Hunter’s stage play in an attempt to speak to the truths in each of us, Brendan Fraser a charismatic and empathetic lead. Review by Katie Doyle.
Read MoreBrandon Cronenberg film ‘Infinity Pool’ (2023) is bolstered by strong performances from Alexander Skarsgård and Mia Goth. It will surprise and disturb you. Review by Emi Grant.
Read MoreThe dance numbers are a fantastic spectacle and the songs are catchy and funny in ‘Roald Dahl’s Matilda the Musical’ (2022), the live-action adaptation starring Emma Thompson. Review by Martha Lane.
Read MoreSteven Spielberg declares through rose-tinted spectacles and Americana-drenched nostalgia that art matters in his semi-autobiographical 2022 film ‘The Fabelmans’. Review by Joseph Wade.
Read MoreBabylon (2022), the latest from La La Land’s Damien Chazelle, is a reflective piece on cinema’s celebrated silent era and the myth of Hollywood’s studio system. Review by Joseph Wade.
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