The Curtain Call on Film Tragedies
Tragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
Read MoreTragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
Read MoreThe best and most defining performances of Jodie Foster’s iconic, award-winning and decades-spanning acting career. Article by Connell Oberman.
Read MoreThe legacy of Taxi Driver (1976) may not endure in a post-Trump world, but Martin Scorsese’s film starring Robert De Niro remains a landmark work of US cinema. Review by Jacob Davis.
Read MoreThirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreChan-wook Park breakout directorial hit ‘Oldboy’ (2003), starring Min-sik Choi in a remarkable leading role, “is an ultra-violent, challenging film”. Full movie review by Andy English here.
Read More‘A Clockwork Orange’, the controversial 1971 release from directorial master Stanley Kubrick, has been analysed by Lucas Hill-Paul regarding its themes, reception and delivery in this exclusive retrospective.
Read MoreThis week is the start of the 68th Annual Cannes Film Festival, so Becca Seghini has taken a look at 10 of the best American Films to win its most prestigious prize – the Palme d’Or.
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