Haulout (2022) Short Film Review
‘Haulout’, the short film about a unique natural event, must be seen as the extraordinary documentary of the Oscars’ Documentary Short Subject category in 2023. Review by Joseph Wade.
Read More‘Haulout’, the short film about a unique natural event, must be seen as the extraordinary documentary of the Oscars’ Documentary Short Subject category in 2023. Review by Joseph Wade.
Read MoreRikiya Imaizumi’s Netflix Original ‘Call Me Chihiro’ (2023), is a quiet look at a lonely life that lacks the warmth and satisfaction you may expect. Review by Martha Lane.
Read MoreNominated for Best Documentary Short Subject at the 95th Academy Awards, Oscars 2023, Stranger at the Gate “encourages love in the face of fear”. Review by Joseph Wade.
Read More‘Cocaine Bear’, from director Elizabeth Banks, isn’t mesmerizing cinema, but it was never expected to be; it is amusing and well made. Review by Jacob Davis.
Read MoreTom Hollander, Idris Elba and Gabriel Byrne lead the all-star Oscars Animated Short nominee ‘The Boy, the Mole, the Fox and the Horse’ from Charlie Mackesy. Review by Joseph Wade.
Read MoreDean Fleischer Camp and Jenny Slate enchant with their lovable stop-motion animation ‘Marcel the Shell with Shoes On’, one of the most human experiences of recent times. Review by John McDonald.
Read MoreControversial Pakistan film ‘Joyland’, from debut writer-director Saim Sadiq, starring Ali Junejo and Alina Khan, will leave you with a new perspective on life. Review by Rob Jones.
Read MoreMarvel Studios’ 2023 ‘Ant-Man and the Wasp Quantumania’ shows some imaginative flourishes, Jonathan Majors proving himself a charismatic villain. Review by Sam Sewell-Peterson.
Read More‘Evil Dead’ trilogy conclusion ‘Army of Darkness’ turns 30, and it’s more ridiculous than ever before. From the mind of Sam Raimi and starring Bruce Campbell. Review by Kae M.
Read MoreIf you like deadpan delivery and surreal asides, you’ll have a great time with British mockumentary ‘Brian and Charles’ (2022), from David Earl and Chris Hayward. Review by Sam Sewell-Peterson.
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