‘Blue My Mind’ and New Female Monsters
‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
Read More‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
Read MoreThe Disney Renaissance offered a number of animated feature film classics, but can ‘Hercules’ be considered one? Danny DeVito and company offer their voices. Sam Sewell-Peterson reviews.
Read MoreLaura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.
Read MoreIn ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.
Read MoreMia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.
Read More“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
Read More‘Men’ (2022), the new film from ‘Ex Machina’ and ‘Annihilation’ director Alex Garland, is either a godsend or a void of nothingness, but never clear. Review by Kieran Judge.
Read MoreA love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.
Read MoreAlex Garland’s directorial debut ‘Ex Machina’ (2014) is a film that becomes richer and more enthralling upon multiple viewings and through intense debate. Review by Sam Sewell-Peterson.
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