‘Blade Runner’ at 40 – Review
40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.
Read More40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.
Read MoreJoseph Kosinski’s Netflix Original ‘Spiderhead’ (2022), starring Chris Hemsworth and Miles Teller, is a film with so much unrealised potential. Review by Joseph Wade.
Read MoreTwenty years on from the release of Steven Spielberg sci-fi ‘Minority Report’, starring Tom Cruise, it remains one of the great contemplative mysteries on film. Review by Sam Sewell-Peterson.
Read More‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
Read MoreThe Disney Renaissance offered a number of animated feature film classics, but can ‘Hercules’ be considered one? Danny DeVito and company offer their voices. Sam Sewell-Peterson reviews.
Read MoreLaura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.
Read MoreIn ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.
Read MoreMia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.
Read More“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
Read More