‘Blade Runner’ at 40 – Review

‘Blade Runner’ at 40 – Review

40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.

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Jurassic Franchise Directors Ranked

Jurassic Franchise Directors Ranked

The directors of the ‘Jurassic Park’ and ‘Jurassic World’ movies ranked from worst to best in terms of their overall directorial work. Ranked article by Joseph Wade.

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‘Minority Report’ at 20 – Review

‘Minority Report’ at 20 – Review

Twenty years on from the release of Steven Spielberg sci-fi ‘Minority Report’, starring Tom Cruise, it remains one of the great contemplative mysteries on film. Review by Sam Sewell-Peterson.

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‘Blue My Mind’ and New Female Monsters

‘Blue My Mind’ and New Female Monsters

‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.

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‘Hercules’ at 25 – Review

‘Hercules’ at 25 – Review

The Disney Renaissance offered a number of animated feature film classics, but can ‘Hercules’ be considered one? Danny DeVito and company offer their voices. Sam Sewell-Peterson reviews.

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Jurassic World Dominion (2022) Review

Jurassic World Dominion (2022) Review

Laura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.

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Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

In ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.

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One Fine Morning (2022) Review

One Fine Morning (2022) Review

Mia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.

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What Film Can Teach Us About Heartbreak

What Film Can Teach Us About Heartbreak

“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.

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