After Yang (2022) Review

After Yang (2022) Review

Kogonada takes inspiration from Hirokazu Koreeda for his “exceptionally beautiful” 2022 film ‘After Yang’ starring Colin Farrell as the father of a young robot. Review by Mark Carnochan.

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The Forgiven (2021) Review

The Forgiven (2021) Review

John Michael McDonagh returns to form with ‘The Forgiven’ starring Ralph Fiennes and Jessica Chastain, an upper class couple who accidentally kill a Moroccan boy. Review by Mark Carnochan.

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Return to Seoul (2022) Review

Return to Seoul (2022) Review

Park Ji-min embodies someone trying to find their place in the world in Davy Chou’s tale of lost identity, ‘Return to Seoul’ (2022). Review by Jake Gill.

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Winners (2022) EIFF Review

Winners (2022) EIFF Review

A young boy seeks to return an Oscar statue to its rightful owner in the UK-financed, Iran-set ‘Winners’ (2022) from director Hassan Nazer. Mark Carnochan reviews.

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Full Time (2021) EIFF Review

Full Time (2021) EIFF Review

Eric Gravel directs Laure Calamy in ‘Full Time’ – picture the Safdie Brothers directing a film about a single mother. Review by Mark Carnochan.

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Axiom (2022) EIFF Review

Axiom (2022) EIFF Review

Upcoming Swedish director Jöns Jönsson proves he’s a filmmaker to keep your eye on with the subtle but interesting ‘Axiom’ (2022) starring Moritz von Treuenfels. Review by Mark Carnochan.

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Sick of Myself (2022) Review

Sick of Myself (2022) Review

Kristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.

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Official Competition (2021) EIFF Review

Official Competition (2021) EIFF Review

Penélope Cruz, Antonio Banderas and Oscar Martínez star as three filmmakers in ‘Official Competition’, an hilarious satire on the film industry. Review by Mark Carnochan.

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Nope (2022) Review

Nope (2022) Review

Jordan Peele follows ‘Get Out’ and ‘Us’ with 2022 sci-fi ‘Nope’, starring Daniel Kaluuya, Keke Palmer and Steven Yeun, a film that may prove he’s the next Spielberg. Review by Sam Sewell-Peterson.

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