Official Competition (2021) EIFF Review
Penélope Cruz, Antonio Banderas and Oscar Martínez star as three filmmakers in ‘Official Competition’, an hilarious satire on the film industry. Review by Mark Carnochan.
Read MorePenélope Cruz, Antonio Banderas and Oscar Martínez star as three filmmakers in ‘Official Competition’, an hilarious satire on the film industry. Review by Mark Carnochan.
Read MoreJordan Peele follows ‘Get Out’ and ‘Us’ with 2022 sci-fi ‘Nope’, starring Daniel Kaluuya, Keke Palmer and Steven Yeun, a film that may prove he’s the next Spielberg. Review by Sam Sewell-Peterson.
Read MoreInfamous director Peter Strickland follows his divisive ‘In Fabric’ with 2022’s ‘Flux Gourmet’ starring Asa Butterfield and Gwendoline Christie, a repetitive and messy satire. Review by Mark Carnochan.
Read MorePaul Mescal stars as a dad managing anger issues in father-daughter relationship drama ‘Aftersun’ (2022), from screenwriter-director Charlotte Wells. Mark Carnochan reviews from EIFF.
Read MoreIn ‘False Memories’, filmmaker Jack Caffrey brings together an imagined story born from photographs he found and had developed. It’s a pseudo-documentary on life and meaning. Jacob Davis reviews.
Read MoreAlthough dated in parts, Powell and Pressburger’s ‘Black Narcissus’ remains iconic and influential even 75 years after it was released. Review by Sam Sewell-Peterson.
Read MoreBrad Pitt leads an ensemble of star names in ‘Bullet Train’, from ‘Deadpool 2’ director David Leitch, that features plenty of shiny neon-soaked fight scenes but little by way of character. Kieran Judge reviews.
Read MoreThe Predator has returned for Dan Trachtenberg’s 2022 film ‘Prey’, “a lean, mean and completely thrilling hunter vs hunted historical action movie”. Review by Sam Sewell-Peterson.
Read MoreRyan Gosling and Chris Evans star in Netflix summer action film the “utterly lifeless” ‘The Gray Man’, from ‘Avengers: Endgame’ directors the Russo Brothers. Review by Joseph Wade.
Read MoreDaisy Edgar-Jones stars in Olivia Newman’s sloppily-directed feature adaptation of Delia Owens’ ‘Where the Crawdads Sing’ (2022). Review by Kieran Judge.
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