Jurassic World Dominion (2022) Review
Laura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.
Read MoreLaura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.
Read MoreMia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.
Read More‘Men’ (2022), the new film from ‘Ex Machina’ and ‘Annihilation’ director Alex Garland, is either a godsend or a void of nothingness, but never clear. Review by Kieran Judge.
Read MoreAlex Garland’s directorial debut ‘Ex Machina’ (2014) is a film that becomes richer and more enthralling upon multiple viewings and through intense debate. Review by Sam Sewell-Peterson.
Read MoreAnimated sitcom ‘Bob’s Burgers’ transitions from television to cinema with the feel-good and family-friendly ‘The Bob’s Burgers Movie’ (2022). Review by Jacob Davis.
Read MoreJoseph Kosinski directs Tom Cruise in ‘Top Gun: Maverick’ (2022). “Do you remember how movies used to feel when you were a kid? This is it.” Review by Joseph Wade.
Read MoreDaniels’ witty and imaginative ‘Everything Everywhere All at Once’ (2022), starring Michelle Yeoh, Ke Huy Quan, will leave you breathless and in tears. Review by Sam Sewell-Peterson.
Read MoreEskil Vogt mixes Stephen King with ‘Let the Right One In’ for 2022 Norwegian art-house film ‘The Innocents’, a relatable, “quiet, creeping, and always charged” horror. Review by Kieran Judge.
Read MoreZac Efron stars in Blumhouse’s 2022 Stephen King adaptation ‘Firestarter’, but uninspired filmmaking makes for a bland and derivative experience. Review by Kieran Judge.
Read MoreJan Kounen’s ‘Dobermann’ (1997), starring Vincent Cassel, marks 25 years on the big screen. It is ‘enjoyable with vulgar stylings’ worthy of the international cult spotlight. Review by Jacob Davis.
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