‘Delphine’s Prayers’ (2021), from well regarded documentarian Rosine Mbakam, serves as a memoir by its subject, a Belgian immigrant with a traumatic, perspective-shifting story. Sam Sewell-Peterson reviews.
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Charlotte Ginsborg coronavirus pandemic documentary ‘Songs for the River’ highlights social and political issues from the perspective of a small London community. Sam Sewell-Peterson reviews.
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Inspired by the work of Jean-Luc Godard, Vincent Meessen’s ‘Juste un mouvement’ (2021) documentary on Senegalese left-wing revolutionary Omar Blondin Diop, review. By Sam Sewell-Peterson.
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The creative minds behind the “Everybody’s Talking About Jamie” stage musical have adapted the story for the big screen in what may be 2021’s best movie musical. Mark Carnochan reviews.
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‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
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‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
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Phil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
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Sparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.
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‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.
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Bolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'