‘The Sugarland Express’ at 50 – Review
Fifty years on from its release, Steven Spielberg’s debut theatrical feature ‘The Sugarland Express’ remains a unique and underrated Spielbergian gem. Review by Daniel Allen.
Read MoreFifty years on from its release, Steven Spielberg’s debut theatrical feature ‘The Sugarland Express’ remains a unique and underrated Spielbergian gem. Review by Daniel Allen.
Read MoreKing Kong movie ‘Kong: Skull Island’, from director Jordan Vogt-Roberts, is a handsomely made picture with glorious visuals and an all-star cast. Review by Kieran Judge.
Read MoreThe latest ‘Ghostbusters’ film, ‘Ghostbuster: Frozen Empire’ starring Paul Rudd, is unconcerned with the original, providing a formulaic blockbuster in its place. Review by Kieran Judge.
Read MoreSydney Sweeney stars as Sister Cecilia in ‘Immaculate’ from director Michael Mohan, a horror that is much better than it has any right to be. Review by Kieran Judge.
Read MoreIn a vacuum, without the context of social media, ‘Ghostbusters’ (2016) is a perfectly reasonable way to spend 116 minutes. Kristen Wiig leads an ensemble. Review by Martha Lane.
Read MoreFrancis Ford Coppola and Gary Oldman gave vampires a whole new look in ‘Bram Stoker’s Dracula’, but it’s the same story we know and love. Review by Margaret Roarty.
Read More‘Monster’, the teacher-student abuse movie from acclaimed director Hirokazu Kore-eda, is nearly in the upper echelon of the director’s spotless filmography. Review by Sam Sewell-Peterson.
Read More‘About Dry Grasses’, from Palme d’Or winner Nuri Bilge Ceylan, is a dense and epic study of a character you’ll likely appreciate more than enjoy. Review by Mark Carnochan.
Read MoreGeorge MacKay impresses in Bertrand Bonello’s centuries-spanning sci-fi epic ‘The Beast’, starring Léa Seydoux, a film lacking the variety needed to be entertaining. Review by Mark Carnochan.
Read MoreDavid Cronenberg’s 1988 psychological horror ‘Dead Ringers’, starring Jeremy Irons in a dual lead role, is one of the director’s richest and most layered films. Review by Sam Sewell-Peterson.
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