Margaret Roarty
Arrival and the Language of Cinema
In his 2016 science fiction film ‘Arrival’, director Denis Villeneuve expertly uses the power of cinematic language to take us on a mind bending journey of love, loss, and the inevitability of time. Essay by Margaret Roarty.
Read More‘In the Cut’ and How Marriage Can Kill You, Actually
How Jane Campion erotic thriller ‘In the Cut’ (2003) starring Meg Ryan subverted the expectations of the erotic thriller genre and has gone underappreciated for close to two decades. Article by Margaret Roarty.
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