The Curtain Call on Film Tragedies
Tragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
Read MoreTragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
Read More‘Tarzan’ (1999) arrived into cinemas at the peak of Disney Animation’s powers, and presented a nuanced and creative take powered by a reputable Phil Collins soundtrack. Review by Rehana Nurmahi.
Read More“For me, diagnosis meant freedom… celebration… life.” Bella Madge chronicles her journey through film to self-acceptance and understanding in this Autistic Pride piece.
Read MoreSocial realist filmmaker Ken Loach turns to comedy for his 2009 football-adjacent film ‘Looking for Eric’, a memorable version of a recognisable story starring Eric Cantona. Review by Martha Lane.
Read MoreAlex Ayre’s NORTH Wrestling documentary ‘Watch the Lights’ (2024), about NORTH’s journey to its biggest ever show, captures a special feeling. It belongs on your watchlist. Review by Joseph Wade.
Read MoreWim Wenders’ 2023 film ‘Anselm’, made in collaboration with Neue Wilde contemporary artist Anselm Kiefer, merges the experiences of museums and cinema. Article by Joanna Seifter.
Read MoreThe fourth Bad Boys movie, ‘Bad Boys: Ride or Die’ (2024), starring Will Smith and Martin Lawrence, is a “check your brains in at the door” good film with enjoyable aspects. Review by Kieran Judge.
Read MoreRichard Linklater film ‘Hit Man’, starring Glen Powell, based on a true story, is a riotous time and equally philosophical, a great symbol of the Summer of Glen. Review by Rehana Nurmahi.
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