‘Misbehaviour’ (2020) from director Philippa Lowthorpe and starring Keira Knightley, Jessie Buckley and Gugu Mbatha-Raw, is not without its issues but “a charming, heartwarming and funny film about feminism” nonetheless. Annice White reviews.
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Netflix Joan Didion adaptation ‘The Last Thing He Wanted’ (2020), from ‘Mudbound’ director Dee Rees, starring Anne Hathaway, Ben Affleck and Willem Dafoe is “fails miserably on almost every conceivable level”. Leoni Horton reviews.
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Studio Ghibli anime feature ‘Kiki’s Delivery Service’, written and directed by the legendary Hayao Miyazaki, is “beautiful to look at”, “a hugely relatable coming-of-age film”. Sam Sewell-Peterson reviews.
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Famed German Expressionism horror-thriller ‘The Cabinet of Dr. Caligari’ turns 100 years old in 2020, but is it still relevant? Jacob Davis explores Germany’s first massively popular German export here.
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Dinesh D’Souza and Richard Spencer walk into a sit-down interview on right wing American politics. Jacob Davis deconstructs ‘The Death of A Nation’ here.
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New Michael Winterbottom movie ‘Greed’ starring Steve Coogan and an ensemble of A-List British talent “is not as smart as it thinks it is”. Annice White’s review.
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Blake Lively and Jude Law star in spy-thriller ‘The Rhythm Section’ from director Reed Morano. Do we have the next Bourne? Sophie Cook reviews…
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From the Ridley Scott’s Director’s Cut of ‘Blade Runner’ to Peter Jackson’s ‘Lord of the Rings’ extended editions and right through to the Snyder Cut of ‘Justice League’ – the history of the director’s cut as presented by Sam Sewell-Peterson.
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‘That girl thinks she’s the Queen of the neighbourhood, I got news for you, she is!’ – How Cathy Yan’s ‘Harley Quinn: Birds of Prey’ embraces the Riot Grrrl ethos in its fresh attempts to validate female anger. Article by Leoni Horton.
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“Kes (1969) is one of the premiere British films ever made. A bold, critical, moving masterpiece from one of the true masters of the form.” Joseph Wade’s review of Ken Loach film ‘Kes’.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'