Feeling Blue, Facebook? The Colour Symbolism of The Social Network
How David Fincher’s Mark Zuckerberg Facebook movie uses colour to evoke meaning and further story. Essay by Kristina Murkett.
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The Man Who Killed Don Quixote (2018) Review
The world waited 30 years for Terry Gilliam to finally realise his ‘The Man Who Killed Don Quixote’ film, but was it worth the hype? Sam Sewell-Peterson reviews the should-be magnum opus of a great career.
Read MoreMatthias and Maxime (2019) Review
2019 Cannes competition entry ‘Matthias et Maxime’ from French-Canadian filmmaker Xavier Dolan is “an intimate portrait of how big each our small lives can feel in the immediacy of every passing moment”. Joseph Wade reviews.
Read MoreBlockbuster Filmmaking and Transmedia Storytelling at the Great Pit of Carkoon
How the Great Pit of Carkoon in ‘Star Wars – Return of the Jedi’ is an example of commodified transmedia storytelling and blockbuster filmmaking. Essay by Jacob Davis.
Read MoreBarry Lyndon (1975) Review
Despite often being overlooked in the canon of great Stanley Kubrick films, 1975 period drama/historical epic ‘Barry Lyndon’ is a must-watch for anyone interested in the form. Christopher Connor reviews.
Read MoreThe New Mutants (2020) Review
More than 2 years after it was originally scheduled to be released, Josh Boone X-Men teen horror ‘The New Mutants’ is finally here, and it could be destined for cult status. Sam Sewell-Peterson reviews.
Read MoreWhere to Start with Paul Verhoeven
Paul Verhoeven is an often misunderstood and extremely versatile filmmaker. In this special introductory feature, find out where you can dive into his filmography, courtesy of Sam Sewell-Peterson.
Read MoreThe Darjeeling Limited (2007) Review
By the time of his fifth feature, Wes Anderson had found his feet as an auteur, ‘The Darjeeling Limited’ (2007) becoming one of his best ever according to Sophia Patfield.
Read MoreCléo from 5 to 7 (1962) Review
Cléo from 5 to 7 (1962), from screenwriter-director Agnès Varda, the only female film director of the French New Wave, is filmed with love rather than contempt according to Eve O’Dea in this review.
Read MoreTenet (2020) Review
‘Tenet’ (2020), written and directed by ‘Inception’ filmmaker Christopher Nolan, and starring John David Washington and Robert Pattinson, is “an unmissable cinematic experience”. Joseph Wade reviews.
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August 08, 2024
Cineworld Announce Cinema Closures
The world's 2nd largest cinema chain, Cineworld, have announced that