Scoob! (2020) Review

Scoob! (2020) Review

Mystery Inc is back for a new adventure, this time from Warner Animation Group, with ‘Scoob!’ (2020) featuring some expressive animation, a host of star names and one notably bad cameo. Sam Sewell-Peterson reviews.

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How to Build a Girl (2020) Review

How to Build a Girl (2020) Review

‘How to Build A Girl’ fails to catch up with Beanie Feldstein’s immense talent, using overtired Britcom to water down the issues it brings to light.

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Once More with Feeling: 10 More of the Best Remakes

Once More with Feeling: 10 More of the Best Remakes

10 of the very best film remakes in the history of cinema, from the Spaghetti Westerns of the 60s to recent horrors, curated and analysed by Sam Sewell-Peterson.

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Dirty Harry Movies Ranked

Dirty Harry Movies Ranked

For close to two decades Clint Eastwood starred as “Dirty Harry” Harry Callahan, performing the iconic gun toting hero across five movies. Here are the Dirty Harry Movies Ranked by Mark Carnochan.

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The Perfect Candidate (2019) Review

The Perfect Candidate (2019) Review

Monumental filmmaker Haifaa Al-Mansour returns to Saudi Arabia to tell a tale of a woman fighting systemic sexism in ‘The Perfect Candidate’ (2019). Sam Sewell-Peterson reviews.

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Safdie Brothers Movies Ranked

Safdie Brothers Movies Ranked

The effervescent neo-realist movies of directorial duo Josh and Benny Safdie (the Safdie Brothers) ranked from worst to best by Leoni Horton.

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Yes, God, Yes (2019) Review

Yes, God, Yes (2019) Review

‘Stranger Things’ star Natalia Dyer plays a sexually repressed teenager discovering herself and her body amidst a religious upbringing in Karen Maine’s debut feature ‘Yes, God, Yes’ (2019) reviewed by Beth Sawdon.

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Alien Movie Franchise Ranked

Alien Movie Franchise Ranked

All 6 of the ‘Alien’ movies, including the prequels, ranked from worst to best according to artistic merit and public perception by Sophia Patfield.

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Oldboy (2003) Review

Oldboy (2003) Review

Chan-wook Park breakout directorial hit ‘Oldboy’ (2003), starring Min-sik Choi in a remarkable leading role, “is an ultra-violent, challenging film”. Full movie review by Andy English here.

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