Over the Moon (2020) Review

Over the Moon (2020) Review

Walt Disney Animation legend Glen Keane returns to animated cinema for 2021 Oscars nominee ‘Over the Moon’ from Netflix, a film that “features relevant themes of loss and personal ambition”.

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A Shaun the Sheep Movie: Farmageddon (2019) Review

A Shaun the Sheep Movie: Farmageddon (2019) Review

Aardman Animation’s ‘A Shaun the Sheep Movie: Farmageddon’ is nominated for Animated Feature at the Oscars. Does it indicate a renaissance for the British animation house? Mark Carnochan reviews.

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Yes-People (2021) Short Film Review

Yes-People (2021) Short Film Review

Probably the most quirky of all the Animation Short Subjects nominated at the 2021 Oscars, Gísli Darri Halldórsson’s Icelandic short film ‘Yes-People’ will lift your anxieties for 8 minutes at least.

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Raya and the Last Dragon (2021) Review

Raya and the Last Dragon (2021) Review

The first wholly original Disney film in years, ‘Raya and the Last Dragon’ starring Kelly Marie Tran and Awkwafina is likely to become a sure-fire animation classic. Review by Mark Carnochan.

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Tom and Jerry (2021) Review

Tom and Jerry (2021) Review

Is Tom & Jerry the best new comedy of 2021, or exploitation of nostalgia for profit? Is it worth getting a HBO Max subscription for? Chloë Grace Moretz stars, Jacob Davis reviews.

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5 Reasons Why Oliver and Company (1988) Is an Underrated Animation Classic

5 Reasons Why Oliver and Company (1988) Is an Underrated Animation Classic

Walt Disney Animation’s 1988 animated feature film ‘Oliver and Company’ is an underrated classic. Here are 5 reasons why. List by Sophia Patfield.

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10 Great Anime Films for Newcomers

10 Great Anime Films for Newcomers

Where do I begin with anime? This list of 10 exceptional entry points into one of Japan’s largest cultural exports is sure to help. List by Jack Cameron.

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Soul (2020) Review

Soul (2020) Review

2020 Pixar release ‘Soul’ is a relatable tale for anyone who has ever lost passion, drive or a sense of purpose, but is one more for the adults than the children. Sam Sewell-Peterson reviews.

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