‘The Third Man’ at 75 – Review
Carol Reed’s noir thriller ‘The Third Man’ (1949), starring Joseph Cotton and Orson Welles, remains one of the greatest films ever made, 75 years after its release. Review by Kieran Judge.
Read MoreCarol Reed’s noir thriller ‘The Third Man’ (1949), starring Joseph Cotton and Orson Welles, remains one of the greatest films ever made, 75 years after its release. Review by Kieran Judge.
Read MoreUn Certain Regard winner ‘Black Dog’, from director Hu Guan and starring Eddie Pang, is hugely memorable with meticulously constructed shots. Review by Sam Sewell-Peterson.
Read MoreJT Mollner’s ‘Strange Darling’, with cinematography from Giovanni Ribisi and a strong performance from Willa Fitzgerald, is exactly what we should be clamoring for more of. Review by Jacob Davis.
Read MoreThe 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.
Read MoreNetflix teen comedy ‘Incoming’ (2024), from Dave and John Chernin (‘It’s Always Sunny in Philadelphia’) settles for a scenario done to death. C-. Review by Martha Lane.
Read More‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.
Read More‘It Ends with Us’ (2024), Justin Baldoni’s adaptation of Colleen Hoover’s novel, is a stylish melodrama carried by vulnerable performances. Review by Margaret Roarty.
Read More‘Trap’ (2024), from writer-director M. Night Shyamalan, and starring Josh Hartnett as a serial killer trapped at a concert, suffers from a lack of logic and immersion. Review by Joseph Wade.
Read MoreViggo Mortensen waters the bone-dry terrain of the Wild West to create a new hero with his 2024 western ‘The Dead Don’t Hurt’, co-starring Vicky Krieps. Review by Patrick Hayes.
Read More25 years on from the release of Brad Bird’s Warner Animation film ‘The Iron Giant’, it still has the power to inspire awe. It has stood the test of time. Review by Sam Sewell-Peterson.
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