Coralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read More
Azazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
Read More
Neil Jordan’s adaptation of Angela Carter’s reworked fairy tale, ‘The Company of Wolves’ (1984) invites us to relive the beauty and horror of growing up. Review by Margaret Roarty.
Read More
The 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.
Read More
Ian McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.
Read More
Feature musical ‘West Side Story’, from directors Robert Wise and Jerome Robbins, still encourages us to feel immensely, more than 60 years after its release. Review by Bella Madge.
Read More
‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read More
Stanley Kubrick’s cold war comedy ‘Dr Strangelove’ (1964) is one of the director’s most lasting projects and features a trio of masterful performances from Peter Sellers. Review by Sam Sewell-Peterson.
Read More
‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.
Read More
Ironically, 2024 Blumhouse horror ‘AfrAId’, from director Chris Weitz, is so formulaic it wouldn’t be surprising to discover that the entire film was written by AI. Review by Kieran Judge.
Read More
The world's 2nd largest cinema chain, Cineworld, have announced that