‘The Devil All the Time’, Netflix’s Antonio Campos directed adaptation of Donald Ray Pollock’s novel of the same name starring Tom Holland and Robert Pattinson, is an interesting albeit slow-burning adaptation. Sophia Patfield reviews.
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Can you believe that it has been 10 years since the release of ‘Easy A’? Emma Stone, Stanley Tucci, Amanda Bynes and more star in Will Gluck’s version of “The Scarlet Letter”, reviewed by Martha Lane.
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Famed film director Christopher Nolan has long been a filmmaker who pursues interesting concepts, but are movie releases such as ‘Tenet’ and ‘Inception’ actually deep? Louis B Scheuer explores.
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Sequels are infamously difficult to get right, but McG is out to prove a point with ‘The Babysitter: Killer Queen’. Was he able to overcome the sequel curse? Mark Carnochan reviews.
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‘Memories of Murder’ (2003), from ‘Parasite’ director Bong Joon-ho, has been re-released in 2020. Sam Sewell-Peterson reviews what is one of South Korea’s greatest ever films.
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Nolan frequently assigns his audience chores, engineering his films in such a way that requires them to participate in each narrative actively. ‘Tenet’ is no exception. Leoni Horton explores.
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‘I’m Thinking of Ending Things’, the 2020 Netflix film starring Jessie Buckley and Jesse Plemons, from the mind of ‘Synecdoche, New York’ filmmaker Charlie Kaufman, reviewed by Joseph Wade.
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Kitty Green’s ‘The Assistant’ (2019/2020) “is a stunning piece of work that unflinchingly tells a story of everyday life and everyday abuse in an industry that isn’t changing fast enough.” Sam Sewell-Peterson reviews.
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Why the politics, special effects, music and themes of horror movies in the 1980s make for the best decade in the history of the genre. Article by James Harris.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'