Poor Things (2023) Review
Emma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
Read MoreEmma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
Read MoreDavid Fincher offers one of 2023’s best films in ‘The Killer’ starring Michael Fassbender, a thriller that deserves to survive the plight of the Netflix algorithm. Review by Mark Carnochan.
Read MoreMolly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.
Read MoreMélanie Laurent directs and stars in ‘Wingwomen’ (2023), a Netflix Original buddy actioner reminiscent of ‘Ocean’s Eleven’ and ‘Lethal Weapon’. Review by Rob Jones.
Read MoreEmma Seligman’s ‘Bottoms’ (2023) is a hilariously violent teen sex comedy co-written by co-star Rachel Sennott. This is a memorable satire that packs a punch. Review by Margaret Roarty.
Read MoreThe long-awaited film adaptation of ‘Five Nights at Freddy’s’ (2023), starring Josh Hutcherson in a haunted family fun restaurant, proves fan service can only get you so far. Review by Margaret Roarty.
Read MoreThe legacy of Taxi Driver (1976) may not endure in a post-Trump world, but Martin Scorsese’s film starring Robert De Niro remains a landmark work of US cinema. Review by Jacob Davis.
Read MoreMartin Scorsese 2013 film ‘The Wolf of Wall Street’, starring Leonardo DiCaprio, Margot Robbie and Jonah Hill, is a timeless reflection on American wealth. Review by Emi Grant.
Read MoreGlen Powell stars and co-writes ‘Hit Man’ (2023), from ‘Dazed and Confused’ director Richard Linklater, “one of the most fun and original movies in years”. Review by Leoni Horton.
Read More‘Taylor Swift: The Eras Tour’ set box office records, and it is a theater-worthy experience. Swift uses the film to construct her artistic image and narrative. Review by Jacob Davis.
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