The Innocents (2022) Review
Eskil Vogt mixes Stephen King with ‘Let the Right One In’ for 2022 Norwegian art-house film ‘The Innocents’, a relatable, “quiet, creeping, and always charged” horror. Review by Kieran Judge.
Read MoreEskil Vogt mixes Stephen King with ‘Let the Right One In’ for 2022 Norwegian art-house film ‘The Innocents’, a relatable, “quiet, creeping, and always charged” horror. Review by Kieran Judge.
Read MoreZac Efron stars in Blumhouse’s 2022 Stephen King adaptation ‘Firestarter’, but uninspired filmmaking makes for a bland and derivative experience. Review by Kieran Judge.
Read MoreTwenty years on from the release of the tenth ‘Friday the 13th’ movie, ‘Jason X’, this shameless space slasher should at least be saluted for playing into its tropes. Kieran Judge reviews.
Read More10 years on from the UK release of ‘The Cabin in the Woods’ (2011/12), Drew Goddard and Joss Whedon’s self-aware horror doesn’t hit like it used to. Review by Sam Sewell-Peterson.
Read MoreJared Leto stars in the long-gestated Sony-Marvel Spider-verse movie ‘Morbius’, from director Daniel Espinosa, and the result is lacking much-needed bite. Sam Sewell-Peterson reviews.
Read MoreDavid Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MoreThe return of Ghostface to the big screen in ‘Scream’ (2022), for the first time since the passing of creator Wes Craven, is “fun and gory but with a severe identity crisis”. Kieran Judge reviews.
Read More‘Let the Right One In’ (2008) vs ‘Let Me In’ (2010), the Thomas Alfredson movie versus the Matt Reeves adaptation of John Ajvide Lindqvist’s popular novel “Låt den rätte komma in”. Article by Sam Sewell-Peterson.
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