The Before Trilogy: How to Capture a Moment

The Before Trilogy: How to Capture a Moment

A love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.

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Cooper Raiff and the Strength of Vulnerability

Cooper Raiff and the Strength of Vulnerability

Cooper Raiff uses his films ‘Sh*thouse’ and ‘Cha Cha Real Smooth’ to re-evaluate the limits of masculinity, confronting limited stereotypes to present vulnerability as a strength. Essay by Tina Kakadelis.

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Spielberg’s ‘Jurassic Park’ VFX Remain the Industry’s Gold Standard

Spielberg’s ‘Jurassic Park’ VFX Remain the Industry’s Gold Standard

How Steven Spielberg’s direction helped to make the visual effects on ‘Jurassic Park’ (1993) not only revolutionary but the Gold Standard of Hollywood CGI. Article by Joseph Wade.

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In Defense of the Happy Ending: Alice Wu and LGBTQ+ Movies

In Defense of the Happy Ending: Alice Wu and LGBTQ+ Movies

For so long, Hollywood has made it seem like only white, cisgender, non-disabled, heterosexual people fall in love. The films of Alice Wu offer condolence for those outside of that box. Essay by Tina Kakadelis.

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How ‘The Worst Person in the World’ Redefines Romantic Cinema

How ‘The Worst Person in the World’ Redefines Romantic Cinema

How Joachim Trier rewrites the rules of silver screen romance to create one of the best romantic dramas of recent years, ‘The Worst Person in the World’. Essay by Rehana Nurmahi.

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‘Wanderlust’ and Its ‘Bizarro Cut’ at 10: How David Wain Split His Sensibility in Two for the Studio System

‘Wanderlust’ and Its ‘Bizarro Cut’ at 10: How David Wain Split His Sensibility in Two for the Studio System

10 years on from the release of David Wain’s cult comedy ‘Wanderlust’, starring Paul Rudd and Jennifer Aniston, its ‘Bizarro Cut’ remains transparent about the comedy process. Essay by Nicholas Armstrong.

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Little Women Is the Ultimate Christmas Film, Actually

Little Women Is the Ultimate Christmas Film, Actually

Greta Gerwig’s ‘Little Women’ (2019) starring Saoirse Ronan, Emma Watson, Florence Pugh and more, is the ultimate Christmas film, even if it’s arguably not even a Christmas film at all. Rehana Nurmahi explains.

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Conjuring Nonsense: Devils Didn’t Make Him Do It

Conjuring Nonsense: Devils Didn’t Make Him Do It

The third ‘Conjuring’ film reinforces the dangerous myth that the supernatural is somehow responsible for the heinous crimes of humanity, and it’s a problem as big as cinema itself. Essay from Jacob Davis.

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