How to Have Sex (2023) Review
Molly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.
Read MoreMolly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.
Read MoreMélanie Laurent directs and stars in ‘Wingwomen’ (2023), a Netflix Original buddy actioner reminiscent of ‘Ocean’s Eleven’ and ‘Lethal Weapon’. Review by Rob Jones.
Read MoreEmma Seligman’s ‘Bottoms’ (2023) is a hilariously violent teen sex comedy co-written by co-star Rachel Sennott. This is a memorable satire that packs a punch. Review by Margaret Roarty.
Read MoreThe long-awaited film adaptation of ‘Five Nights at Freddy’s’ (2023), starring Josh Hutcherson in a haunted family fun restaurant, proves fan service can only get you so far. Review by Margaret Roarty.
Read MoreGlen Powell stars and co-writes ‘Hit Man’ (2023), from ‘Dazed and Confused’ director Richard Linklater, “one of the most fun and original movies in years”. Review by Leoni Horton.
Read More‘Taylor Swift: The Eras Tour’ set box office records, and it is a theater-worthy experience. Swift uses the film to construct her artistic image and narrative. Review by Jacob Davis.
Read MorePriscilla Presley memoir “Elvis and Me” fits effortlessly into director Sofia Coppola’s cinematic canon. Cailee Spaeny and Jacob Elordi star. Review by Leoni Horton.
Read More‘The Killers of the Flower Moon’ is nothing short of a masterpiece from our greatest living filmmaker, Martin Scorsese. Leonardo DiCaprio, Robert De Niro and Lily Gladstone star. Review by Leoni Horton.
Read MoreJeff Nichols biker movie ‘The Bikeriders’ (2023), starring Tom Hardy, Austin Butler and Jodie Comer, wears its influences on its sleeve but tells a recognisable story with a fresh approach.
Read More‘The Exorcist: Believer’, from ‘Halloween’ director David Gordon Green, seems to apply the ‘twice as many kids, twice as scary’ logic to ‘The Exorcist’, much to its detriment. Review by Kieran Judge.
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