Candyman (2021) Review
Nia DaCosta horror sequel ‘Candyman’ (2021), from producer and co-writer Jordan Peele, starring Yahya Abdul-Mateen II, feels less organic and poised than the original. Kieran Judge reviews.
Read MoreNia DaCosta horror sequel ‘Candyman’ (2021), from producer and co-writer Jordan Peele, starring Yahya Abdul-Mateen II, feels less organic and poised than the original. Kieran Judge reviews.
Read More‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
Read MorePhil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
Read MoreSparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.
Read More‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.
Read MoreBolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
Read MoreJim Cummings’ newest offering, ‘The Beta Test’, is a ‘Twilight Zone’ shaped Hollywood rabbit hole filled with murder, mystery, manipulation, data harvesting, consumerism, greed and luxury stationery. Leoni Horton reviews.
Read More‘Censor’, the debut movie of Welsh filmmaker Prano Bailey-Bond, is a horror film set within the era of so-called “video nasties”, a “captivating and original story”. Mark Carnochan reviews.
Read More30 years on from the release of Palme d’Or winner ‘Barton Fink’, the Coen Brothers still keep you on your toes in this tale of John Turturro’s movie-bound playwright. Sam Sewell-Peterson reviews.
Read MoreNicolas Cage offers one of the performances of his career in ‘Pig’, a debut film from Michael Sarnoski that defies all expectations. Mark Carnochan reviews.
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