Isle of Dogs (2018) Review
2018 stop motion animation ‘Isle of Dogs’ is a loving ode to dog-kind from famed contemporary auteur Wes Anderson, and features an all-star cast. Christopher Connor reviews.
Read More2018 stop motion animation ‘Isle of Dogs’ is a loving ode to dog-kind from famed contemporary auteur Wes Anderson, and features an all-star cast. Christopher Connor reviews.
Read More‘Delphine’s Prayers’ (2021), from well regarded documentarian Rosine Mbakam, serves as a memoir by its subject, a Belgian immigrant with a traumatic, perspective-shifting story. Sam Sewell-Peterson reviews.
Read MoreCharlotte Ginsborg coronavirus pandemic documentary ‘Songs for the River’ highlights social and political issues from the perspective of a small London community. Sam Sewell-Peterson reviews.
Read MoreInspired by the work of Jean-Luc Godard, Vincent Meessen’s ‘Juste un mouvement’ (2021) documentary on Senegalese left-wing revolutionary Omar Blondin Diop, review. By Sam Sewell-Peterson.
Read MoreThe creative minds behind the “Everybody’s Talking About Jamie” stage musical have adapted the story for the big screen in what may be 2021’s best movie musical. Mark Carnochan reviews.
Read MoreMarvel’s first true martial arts film is endlessly thrilling, funny and heartfelt. Shang-Chi and the Legend of the Ten Rings, starring Simu Liu and Awkwafina. Review by Sam Sewell-Peterson.
Read More10 years on from its 2011 release, Tomas Alfredson’s film adaptation of John le Carré’s “Tinker Tailor Soldier Spy” feels more relevant and connective today than ever. Sam Sewell-Peterson reviews.
Read More‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
Read MoreNia DaCosta horror sequel ‘Candyman’ (2021), from producer and co-writer Jordan Peele, starring Yahya Abdul-Mateen II, feels less organic and poised than the original. Kieran Judge reviews.
Read More‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
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