‘The Godfather’ at 50 – Review
50 years since the release of Francis Ford Coppola’s eponymous gangster film ‘The Godfather’, it maintains its position as one of the greatest American films of all time. Jacob Davis reviews.
Read More50 years since the release of Francis Ford Coppola’s eponymous gangster film ‘The Godfather’, it maintains its position as one of the greatest American films of all time. Jacob Davis reviews.
Read MoreAardman Animation’s Netflix film ‘Robin Robin’ (2021), nominated at the Oscars in 2022 for Best Animated Short, is a quintessentially British film incomparable at any length. Review by Joseph Wade.
Read MoreSony Pictures Animation offer the Oscar-nominated ‘The Mitchells vs the Machines’ (2021) as their follow-up to ‘Into the Spider-Verse’, and it has proven to be unmissable. Sam Sewell-Peterson reviews.
Read MoreA bold and distinct new vision of the Caped Crusader, Matt Reeves’ ‘The Batman’ (2022) starring Robert Pattinson and Zoë Kravitz, reviewed by Sam Sewell-Peterson.
Read MoreAt fifty years of age, Bob Fosse’s Oscar-winning film adaptation of ‘Cabaret’, starring Liza Minnelli, remains the benchmark for grounded movie musicals. Review by Sam Sewell-Peterson.
Read MoreGuillermo del Toro’s Oscar-nominated fantasy movie ‘Pan’s Labyrinth’ at 15 – the critically acclaimed 2007 fantasy release re-evaluated. Sam Sewell-Peterson reviews.
Read MoreJulia Ducournau’s Cannes Palme d’Or winning body horror ‘Titane’ (2021) is cinema that reflects the parts of ourselves we rarely see on screen, “an experience”. Sam Sewell-Peterson reviews.
Read More75 years after its release, Frank Capra’s Christmas fable ‘It’s a Wonderful Life’ (1946) still connects with those who sacrifice so much of themselves to the greater good. Katie Doyle reviews.
Read More‘Elf’ (2003) is “one of the most perfect examples of a timeless Christmas classic”, in no small part due to the work of director Jon Favreau and breakout star Will Ferrell. Elisabetta Pulcini reviews.
Read MoreSteven Spielberg’s ‘West Side Story’ (2021), film musical adaptation of the stage play from Stephen Sondheim and Leonard Bernstein, will leave you shiny-eyed. Review by Sam Sewell-Peterson.
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