Wicked (2024) Review

Wicked (2024) Review

The silver screen debut of famed stage musical ‘Wicked’ is lacking visual creativity but features some unforgettable performances and all the songs fans know and love. Review by Margaret Roarty.

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Gladiator II (2024) Review

Gladiator II (2024) Review

Ridley Scott’s sequel 24 years in the making, ‘Gladiator II’, serves spectacle but lacks depth. It is a mixed but decidedly entertaining historical epic. Review by Sam Sewell-Peterson.

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The Remarkable Life of Ibelin (2024) Review

The Remarkable Life of Ibelin (2024) Review

Benjamin Ree’s feature documentary ‘The Remarkable Life of Ibelin’, is the moving and sensitive telling of Mats Steen’s second life in MMORPG ‘World of Warcraft’. Review by Sam Sewell-Peterson.

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The Front Room (2024) Review

The Front Room (2024) Review

‘The Front Room’ (2024), from Max and Sam Eggers, is devoid of anything emotionally or intellectually engaging; barely even an A24 film. Review by Kieran Judge.

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Woman of the Hour (2023) Review

Woman of the Hour (2023) Review

Anna Kendrick feature directorial debut ‘Woman of the Hour’, conveys the everyday anxiety of moving through the world as anything other than male. Review by Margaret Roarty.

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Smile 2 (2024) Review

Smile 2 (2024) Review

‘Smile 2’, Parker Finn’s sequel to the box office horror hit ‘Smile’, is one of the most astronomically dull horror films of recent times. Review by Kieran Judge.

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Salem’s Lot (2024) Review

Salem’s Lot (2024) Review

The 2024 feature film Stephen King adaptation ‘Salem’s Lot’, from writer-director Gary Dauberman, is a vampiric shell of its former self. Review by Kieran Judge.

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The Wild Robot (2024) Review

The Wild Robot (2024) Review

Dreamworks Animation’s adaptation of Peter Brown’s children’s book, ‘The Wild Robot’ (2024), is emotional and powerful, an unmissable theatrical experience. Review by Joseph Wade.

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Joker: Folie à Deux (2024) Review

Joker: Folie à Deux (2024) Review

Todd Phillips DC movie ‘Joker: Folie à Deux’ (2024), starring Joaquin Phoenix and Lady Gaga, is pulled in too many directions. It is boring. Review by Joseph Wade.

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