American Fiction (2023) Review

American Fiction (2023) Review

Cord Jefferson’s Oscars Best Picture nominee ‘American Fiction’ (2023) is an effective cultural and interpersonal story about identity, grief, love, and voice. Review by Emi Grant.

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Destroy All Neighbors (2024) Review

Destroy All Neighbors (2024) Review

‘Destroy All Neighbors’ is an over-the-top horror-comedy B movie sendup that fails to deliver on its outrageous premise for its duration. Review by Kieran Judge.

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Mean Girls (2024) Review

Mean Girls (2024) Review

The 2024 ‘Mean Girls’ musical is as brittle and fake as plastic, Tina Fey phoning in what could have been a meaningful remake. Review by Margaret Roarty.

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The Beekeeper (2024) Review

The Beekeeper (2024) Review

David Ayer’s action-thriller ‘The Beekeeper’ starring Jason Statham offers 100 minutes of badly shot action sequences and should buzz off. Review by Kieran Judge.

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Good Grief (2023) Review

Good Grief (2023) Review

Daniel Levy’s feature directorial debut ‘Good Grief’ (2024), a Netflix Original, promises a lot but doesn’t reach the heights of ‘Schitt’s Creek’. Review by Martha Lane.

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Night Swim (2024) Review

Night Swim (2024) Review

Blumhouse horror ‘Night Swim’ (2024), starring Wyatt Russell and Kerry Condon, is derivative of ‘The Shining’ and other better horrors. Review by Kieran Judge.

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One Life (2023) Review

One Life (2023) Review

‘One Life’ (2023), the James Hawes BBC film starring Anthony Hopkins as “The British Schindler” Nicholas Winton, doesn’t hit every mark but does strike a powerful chord. Review by Kieran Judge.

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