Long Live My Happy Head (2022) Review – BFI Flare
‘Long Live My Happy Head’ (2022) is a wonderful new documentary from Will Hewitt and Austen McCowan exploring impending death through art. Review by Sam Sewell-Peterson.
Read More‘Long Live My Happy Head’ (2022) is a wonderful new documentary from Will Hewitt and Austen McCowan exploring impending death through art. Review by Sam Sewell-Peterson.
Read More2022 Judd Apatow comedy ‘The Bubble’, released by Netflix and starring an ensemble of stars led by Karen Gillan, parodies the entertainment industry’s response to the pandemic. Nick Armstrong reviews.
Read MoreJared Leto stars in the long-gestated Sony-Marvel Spider-verse movie ‘Morbius’, from director Daniel Espinosa, and the result is lacking much-needed bite. Sam Sewell-Peterson reviews.
Read MoreRuth Wilson and Tom Burke star in Harry Wootliff’s ‘True Things’ (2022), an erotically-charged drama-thriller adapted from Deborah Kay Davies’ “True Things About Me”. Review by Joseph Wade.
Read MorePixar’s 2022 Disney Plus animated film ‘Turning Red’, a “passionate and personal work” from ‘Bao’ director Domee Shi, has “big emotional beats in abundance”. Review by Sam Sewell-Peterson.
Read MoreKenneth Branagh’s black and white Oscar-nominated film ‘Belfast’ features 4 outstanding performances, including one by Judi Dench that is worth the price of admission. Joseph Wade reviews.
Read MoreRiz Ahmed and Nikolaj Coster-Waldau bring ‘Flee’ to the big screen, an animated docudrama about an Afghan asylum seeker that is nominated for 3 Oscars. Review by Joseph Wade.
Read MoreA bold and distinct new vision of the Caped Crusader, Matt Reeves’ ‘The Batman’ (2022) starring Robert Pattinson and Zoë Kravitz, reviewed by Sam Sewell-Peterson.
Read MoreDavid Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MorePedro Almodóvar tells of two mothers, Penélope Cruz and Milena Smit, struggling with motherhood and Spain’s past trauma in ‘Parallel Mothers’. Review by Sam Sewell-Peterson.
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