Strange Darling (2023) Review
JT Mollner’s ‘Strange Darling’, with cinematography from Giovanni Ribisi and a strong performance from Willa Fitzgerald, is exactly what we should be clamoring for more of. Review by Jacob Davis.
Read MoreJT Mollner’s ‘Strange Darling’, with cinematography from Giovanni Ribisi and a strong performance from Willa Fitzgerald, is exactly what we should be clamoring for more of. Review by Jacob Davis.
Read MoreThe 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.
Read More‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.
Read More‘It Ends with Us’ (2024), Justin Baldoni’s adaptation of Colleen Hoover’s novel, is a stylish melodrama carried by vulnerable performances. Review by Margaret Roarty.
Read More‘Trap’ (2024), from writer-director M. Night Shyamalan, and starring Josh Hartnett as a serial killer trapped at a concert, suffers from a lack of logic and immersion. Review by Joseph Wade.
Read MoreViggo Mortensen waters the bone-dry terrain of the Wild West to create a new hero with his 2024 western ‘The Dead Don’t Hurt’, co-starring Vicky Krieps. Review by Patrick Hayes.
Read MoreWhen the tornadoes hit, the visuals work wonders in Lee Isaac Chung’s standalone ‘Twister’ sequel ‘Twisters’, starring Daisy Edgar-Jones and Glen Powell. Review by Kieran Judge.
Read More‘MaXXXine’, the third film in Ti West’s horror film series, is more interested in aesthetics than substance and leaves Mia Goth with not enough room to breathe. Review by Margaret Roarty.
Read MoreAlfred Hitchcock’s ‘Marnie’, starring Tippi Hedren and Sean Connery, features a stellar safe-stealing sequence but drags its heels. Review by Kieran Judge.
Read More65 years on from its release, Alfred Hitchcock thriller ‘North by Northwest’ remains a glorious mishmash of parody and paranoia, a sublimely written, thrilling film. Review by Kieran Judge.
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