The Whale (2022) Review
Darren Aronofsky adapts Samuel D. Hunter’s stage play in an attempt to speak to the truths in each of us, Brendan Fraser a charismatic and empathetic lead. Review by Katie Doyle.
Read MoreDarren Aronofsky adapts Samuel D. Hunter’s stage play in an attempt to speak to the truths in each of us, Brendan Fraser a charismatic and empathetic lead. Review by Katie Doyle.
Read MoreBrandon Cronenberg film ‘Infinity Pool’ (2023) is bolstered by strong performances from Alexander Skarsgård and Mia Goth. It will surprise and disturb you. Review by Emi Grant.
Read MoreThe dance numbers are a fantastic spectacle and the songs are catchy and funny in ‘Roald Dahl’s Matilda the Musical’ (2022), the live-action adaptation starring Emma Thompson. Review by Martha Lane.
Read MoreSteven Spielberg declares through rose-tinted spectacles and Americana-drenched nostalgia that art matters in his semi-autobiographical 2022 film ‘The Fabelmans’. Review by Joseph Wade.
Read MoreBabylon (2022), the latest from La La Land’s Damien Chazelle, is a reflective piece on cinema’s celebrated silent era and the myth of Hollywood’s studio system. Review by Joseph Wade.
Read MoreThere is a European sensibility to Todd Field’s mature and considered take on cancel culture, Tár (2022), featuring a spectacular performance from Cate Blanchett. Review by Joseph Wade.
Read MoreSam Mendes’ follows up his award winning ‘1917’ with the oblique and tripe ‘Empire of Light’ (2022/23) starring Olivia Colman, a film that isn’t really for anyone. Review by Joseph Wade.
Read MoreNoah Baumbach, the filmmaker behind ‘Marriage Story’, adapts Don DeLillo’s “White Noise” into a timely and darkly funny Netflix Original film starring Adam Driver. Review by Emi Grant.
Read MoreMark Jenkin follows his critically acclaimed feature debut ‘Bait’ with new colour horror film ‘Enys Men’ (2022), an example of his filmmaking prowess. Review by Mark Carnochan.
Read MoreAleka Cooper and James Wan follow 2021’s horror hit ‘Malignant’ with ‘M3GAN’, the latest Frankenstein-esque tale of technology gone bad. Allison Williams stars. Review by Kieran Judge.
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