Rian Johnson returns to the universe of ‘Knives Out’ for 2022 Netflix murder mystery ‘Glass Onion’, a funny sequel starring Daniel Craig at the head of an all-star cast. Review by Christopher Connor.
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Director Edward Berger and Netflix present ‘All Quiet on the Western Front’ (2022), an adaptation of a powerful anti-war novel that hits like a Howitzer. Review by Sam Sewell-Peterson.
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Billy Eichner co-writes and stars in ‘Bros’, the first gay rom-com produced by a Hollywood studio with a predominantly LGBTQ+ cast. Review by Emily Nighman.
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‘Rosaline’, a 2022 Karen Maine film adaptation of “When You Were Mine” by Rebecca Searle, based on characters from “Romeo & Juliet” is a fun, easy watch. Review by Rehana Nurmahi.
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‘The Banshees of Inisherin’ (2022), from ‘In Bruges’, ‘Three Billboards’ writer-director Martin McDonagh, is an operatic fable on masculinity starring Colin Farrell, Brendan Gleeson. Review by Joseph Wade.
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‘Mr Harrigan’s Phone’ (2022) starring Jaeden Martell and Donald Sutherland is understanding, empathetic, and more mature than other Stephen King adaptations. Review by Kieran Judge.
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Ana de Armas gives the performance of a lifetime as Marilyn Monroe in Andrew Dominik’s Netflix biopic ‘Blonde’ (2022), a film that wastes her potential. Review by Kieran Judge.
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Behind the scenes controversy surrounds the release of Olivia Wilde’s ‘Don’t Worry Darling’ (2022) starring Florence Pugh, Harry Styles, a film that squanders its potential. Review by Kieran Judge.
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‘Kintsugi’ is “a beautiful little original animation” from Sugar Animation Studios and director Cleto Acosta-McKillop, “a wonderful creation”. Short film review by Kieran Judge.
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Halina Reijn makes a name for herself amongst the horror-comedy fanbase with ‘Bodies Bodies Bodies’ (2022), a pointed and funny Gen Z fable. Review by Morgan Barr.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'