Se7en (1995) Review
The 25th anniversary of the release of David Fincher thriller ‘Se7en’ (1995) starring Brad Pitt and Morgan Freeman brings into question its quality. Sophia Patfield reviews.
Read MoreThe 25th anniversary of the release of David Fincher thriller ‘Se7en’ (1995) starring Brad Pitt and Morgan Freeman brings into question its quality. Sophia Patfield reviews.
Read More‘The Devil All the Time’, Netflix’s Antonio Campos directed adaptation of Donald Ray Pollock’s novel of the same name starring Tom Holland and Robert Pattinson, is an interesting albeit slow-burning adaptation. Sophia Patfield reviews.
Read MoreCan you believe that it has been 10 years since the release of ‘Easy A’? Emma Stone, Stanley Tucci, Amanda Bynes and more star in Will Gluck’s version of “The Scarlet Letter”, reviewed by Martha Lane.
Read MoreSequels are infamously difficult to get right, but McG is out to prove a point with ‘The Babysitter: Killer Queen’. Was he able to overcome the sequel curse? Mark Carnochan reviews.
Read More‘Memories of Murder’ (2003), from ‘Parasite’ director Bong Joon-ho, has been re-released in 2020. Sam Sewell-Peterson reviews what is one of South Korea’s greatest ever films.
Read More‘I’m Thinking of Ending Things’, the 2020 Netflix film starring Jessie Buckley and Jesse Plemons, from the mind of ‘Synecdoche, New York’ filmmaker Charlie Kaufman, reviewed by Joseph Wade.
Read MoreKitty Green’s ‘The Assistant’ (2019/2020) “is a stunning piece of work that unflinchingly tells a story of everyday life and everyday abuse in an industry that isn’t changing fast enough.” Sam Sewell-Peterson reviews.
Read MoreSeth Rogen offers a terrific combination of leading performances in ‘An American Pickle’, a “sophisticated but not alienating” comedy from Pixar and SNL writer Simon Rich. Annice White reviews.
Read MoreDisney have released the most expensive film ever made by a female director, with Niki Caro’s reimagining of ‘Mulan’ now on Disney Plus. Full movie review by Sam Sewell-Peterson here.
Read MoreThe world waited 30 years for Terry Gilliam to finally realise his ‘The Man Who Killed Don Quixote’ film, but was it worth the hype? Sam Sewell-Peterson reviews the should-be magnum opus of a great career.
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