To a Land Unknown (2024) Review
Mahdi Fleifel’s refugee drama ‘To a Land Unknown’ competed in the Cannes 2024 Un Certain Regard strand, and is an urgent, necessary film. Review by Clotilde Chinnici.
Read MoreMahdi Fleifel’s refugee drama ‘To a Land Unknown’ competed in the Cannes 2024 Un Certain Regard strand, and is an urgent, necessary film. Review by Clotilde Chinnici.
Read More‘Anora’, from filmmaker Sean Baker, won the Palme d’Or at Cannes in 2024, and thanks to a powerful lead performance and open-minded approach, should be considered important. Review by Clotilde Chinnici.
Read MoreFrom some of the creative minds behind ‘Spirited Away’ comes 2024 Netflix anime ‘The Imaginary’, a children’s film for adults that is a little too boring to be a classic. Review by Martha Lane.
Read MoreYorgos Lanthimos follows ‘Poor Things’ with one of the best films of his career, the messed up ensemble piece ‘Kinds of Kindness’ – a film not to be missed. Review by Mark Carnochan.
Read MoreLouisa Connolly-Burnham writes, directs and stars in ‘Sister Wives’, a heartfelt story of control, freedom and expression, co-starring Mia McKenna-Bruce. Review by Kieran Judge.
Read MoreAlex Ayre’s NORTH Wrestling documentary ‘Watch the Lights’ (2024), about NORTH’s journey to its biggest ever show, captures a special feeling. It belongs on your watchlist. Review by Joseph Wade.
Read MoreThe fourth Bad Boys movie, ‘Bad Boys: Ride or Die’ (2024), starring Will Smith and Martin Lawrence, is a “check your brains in at the door” good film with enjoyable aspects. Review by Kieran Judge.
Read MoreRichard Linklater film ‘Hit Man’, starring Glen Powell, based on a true story, is a riotous time and equally philosophical, a great symbol of the Summer of Glen. Review by Rehana Nurmahi.
Read MoreIshana Night Shyamalan thriller ‘The Watchers’ (2024), starring Dakota Fanning, strips the original story of everything that made it compelling. Review by Margaret Roarty.
Read More‘Arcadian’, the new horror film from Benjamin Brewer starring Nicolas Cage, is two films – half wonderful, tight and controlled, the rest wasted potential. Review by Kieran Judge.
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