‘The Father’, the feature directorial debut of Florian Zeller starring Anthony Hopkins in a career standout performance, “is a deeply unsettling depiction of how memory can betray a person”. Peter Charney reviews.
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How the ending to Ridley Scott’s ‘Thelma & Louise’ (1991) is one of the most iconic and powerful in all of cinema, and how it can be interpreted. Essay by Gala Woolley.
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In the light-hearted family movie Shazam!, that subverted the tone of the earlier DCEU, David F. Sandberg finds space for a heartbreaking character moment. Article by Rob Gifford.
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Apple TV Plus exclusive ‘Cherry’, from ‘Avengers: Endgame’ directors The Russo Brothers, and starring Spider-Man himself Tom Holland, is a shallow drama. Cole Clark reviews.
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Netflix Original movies seem to disappear just as soon as they’ve appeared, and with a new film set to be released during every week of 2021, it’s an issue filmmakers should take notice of. Essay by Luke Hinton.
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In his 2016 science fiction film ‘Arrival’, director Denis Villeneuve expertly uses the power of cinematic language to take us on a mind bending journey of love, loss, and the inevitability of time. Essay by Margaret Roarty.
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‘Game of Thrones’ alum Michael McElhatton and ‘Sex Education’s’ Emma Mackey star in ‘The Winter Lake’, a gnarly drama dealing with trauma from debut director Phil Sheerin. Kevin Woodley reviews.
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In 1988, Eddie Murphy and company captured lightning in a bottle for comedy classic ‘Coming to America’. Could they do it a 2nd time for sequel ‘Coming 2 America’? Scott Z Walkinshaw reviews.
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Headlined by an unforgettable and unrecognisable performance from Ben Whishaw, ‘Surge’ has a “wild, kinetic energy” that evokes comparisons to ‘Joker’ and ‘Falling Down’. Jack Cameron reviews.
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Anna Kerrigan writes and directs Steve Zahn and Jillian Bell in the Tribeca award winning family drama ‘Cowboys’, about a trans boy and his family relationships. Jack Cameron reviews.
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The world's 2nd largest cinema chain, Cineworld, have announced that