How Music Reframes the Violence in You Were Never Really Here

How Music Reframes the Violence in You Were Never Really Here

How the music composed by Jonny Greenwood for ‘You Were Never Really Here’ borrows from Aphex Twin to create a dialogue between character and narrative. Essay by Cole Clark.

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How Every Element in the Final Sequence from ‘The Talented Mr. Ripley’ Works To Create A Wonderfully Disturbing Finale

How Every Element in the Final Sequence from ‘The Talented Mr. Ripley’ Works To Create A Wonderfully Disturbing Finale

How Anthony Minghella’s ‘The Talented Mr. Ripley’ borrows from Hitchcock and Film Noir to create a phenomenal and tense final sequence. Analysis by Sophie Cook.

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The Boy in the Striped Pyjamas (2008) Review

The Boy in the Striped Pyjamas (2008) Review

Mark Herman’s memorable 2008 holocaust drama ‘The Boy in the Striped Pyjamas’ is a movie with a “hard-hitting and emotional narrative”, “a deserved classic for future cinephiles”. Bethen Blackabee reviews.

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The World’s End (2013) Review

The World’s End (2013) Review

The Cornetto Trilogy came to an end with ‘The World’s End’ (2013), with Simon Pegg, Nick Frost and director Edgar Wright offering perhaps their most underrated film. Christopher Connor reviews.

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Billy Elliot (2000) Review

Billy Elliot (2000) Review

“It’s been twenty years since Billy Elliot burst onto cinema screens, and its portrait of the North East remains just as moving and inspiring today.” Angel Lloyd reviews ‘Billy Elliot’ (2000).

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Never Rarely Sometimes Always (2020) Review

Never Rarely Sometimes Always (2020) Review

Eliza Hittman film ‘Never Rarely Sometimes Always’, succeeds at telling the tale of a teenage girl seeking abortion in the United States through empathy and authenticity. Pagan Carruthers reviews.

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The Elephant Man (1980) Review

The Elephant Man (1980) Review

David Lynch film ‘The Elephant Man’ (1980), starring John Hurt and Anthony Hopkins, “maintains its poignant sting” some 40 years later. Angel Lloyd reviews.

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Superhero Bust: The Future of the Superhero Genre

Superhero Bust: The Future of the Superhero Genre

Have we seen the pinnacle of the superhero movie mountain? Gillian MacLeod looks at the facts, analysing the genre in conjunction with a prominent film theory in this special superhero movie essay.

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‘Green Street’ and Toxic Masculinity

‘Green Street’ and Toxic Masculinity

Toxic masculinity and violence in ‘Green Street’ (2005) starring Elijah Wood and Charlie Hunnam. How critique of the film seems to have missed the point, as written by George Forster.

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