Requiem for an American Dream
Requiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
Read MoreRequiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
Read MoreNika McGuigan and Nora-Jane Noone shine in Cathy Brady’s feature debut ‘Wildfire’, an Irish drama that ponders a lot of topics at the expense of its narrative. Jack Cameron reviews.
Read More“a great team of characters who forge a distinct and enjoyable chemistry” in Ruben Fleischer’s 2009 zombie hit ‘Zombieland’, starring Jesse Eisenberg and Emma Stone. Libby Briggs reviews.
Read MoreA journey into Italian Peplum, the cinema of mythical gods, muscle-bound heroes, sorcery and loincloths, as presented by Paul A J Lewis.
Read MoreHow Chang-Dong Lee purposefully obscures the truth in his 2018 mystery ‘Burning’ to provide one of the most engaging examples of the genre in decades. Article by Jack Cameron.
Read MoreBespectacled film characters have long been presented with a number of damaging traits, the least of which is “being a nerd”. Ciaran Duncan explores this problematic representation in this feature essay.
Read MoreCan you believe that it has been 10 years since the release of ‘Easy A’? Emma Stone, Stanley Tucci, Amanda Bynes and more star in Will Gluck’s version of “The Scarlet Letter”, reviewed by Martha Lane.
Read MoreFamed film director Christopher Nolan has long been a filmmaker who pursues interesting concepts, but are movie releases such as ‘Tenet’ and ‘Inception’ actually deep? Louis B Scheuer explores.
Read MoreWhy the politics, special effects, music and themes of horror movies in the 1980s make for the best decade in the history of the genre. Article by James Harris.
Read MoreHow David Fincher’s Mark Zuckerberg Facebook movie uses colour to evoke meaning and further story. Essay by Kristina Murkett.
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