‘Willy Wonka and the Chocolate Factory’ at 50 – Review
50 years since Willy Wonka asked “if you want to view paradise” and still it resonates as a feat of “pure imagination”. Scott Z. Walkinshaw reviews.
Read More50 years since Willy Wonka asked “if you want to view paradise” and still it resonates as a feat of “pure imagination”. Scott Z. Walkinshaw reviews.
Read MoreHow ‘Mouthpiece’, created by Amy Nostbakken and Norah Sadava, forges a moving insight into womanhood through its presentation of the duality of the female psyche. Essay by Gala Woolley.
Read More‘Love and Monsters’, a new creature feature by director Michael Matthews and starring Dylan O’Brien, is an inventive little adventure movie. Scott Z Walkinshaw reviews.
Read MoreLawrence Michael Levine tells The Film Magazine about searching deep within himself to find ‘Black Bear’ (2020), scripting naturalistic dialogue and why he’ll always make small films.
Read More‘The Father’, the feature directorial debut of Florian Zeller starring Anthony Hopkins in a career standout performance, “is a deeply unsettling depiction of how memory can betray a person”. Peter Charney reviews.
Read MoreHow the ending to Ridley Scott’s ‘Thelma & Louise’ (1991) is one of the most iconic and powerful in all of cinema, and how it can be interpreted. Essay by Gala Woolley.
Read MoreIn the light-hearted family movie Shazam!, that subverted the tone of the earlier DCEU, David F. Sandberg finds space for a heartbreaking character moment. Article by Rob Gifford.
Read MoreApple TV Plus exclusive ‘Cherry’, from ‘Avengers: Endgame’ directors The Russo Brothers, and starring Spider-Man himself Tom Holland, is a shallow drama. Cole Clark reviews.
Read MoreNetflix Original movies seem to disappear just as soon as they’ve appeared, and with a new film set to be released during every week of 2021, it’s an issue filmmakers should take notice of. Essay by Luke Hinton.
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