Little Women (1933) Review
George Cukor’s 1933 adaptation of Louisa May Alcott’s “Little Women” starring Katharine Hepburn is perfect for those who may need an umbrella during a sun shower. Review by Margaret Roarty.
Read MoreGeorge Cukor’s 1933 adaptation of Louisa May Alcott’s “Little Women” starring Katharine Hepburn is perfect for those who may need an umbrella during a sun shower. Review by Margaret Roarty.
Read More‘It’s a Wonderful Knife’ (2023) adds a twist to ‘It’s a Wonderful Life’, creating a technically proficient 90-minute blast of a slasher movie with some real star power. Review by Kieran Judge.
Read MoreDisney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
Read MoreRidley Scott reunites with ‘Gladiator’ star Joaquin Phoenix for historical epic ‘Napoleon’, a film about Napoleon Bonaparte’s conquests that had a lot of potential. Review by Joseph Wade.
Read MoreThere is a universal truth at the core of John Hughes’ ‘Planes, Trains and Automobiles’ (1987), an exercise in empathy that has maintained its potency. Review by Connell Oberman.
Read MoreFor the most part, Eli Roth’s slasher horror ‘Thanksgiving’ (2023) does exactly what it says it’s going to. It gives a good, bloody slasher flick. Review by Kieran Judge.
Read More‘Dashing Through the Snow’ (2023), Disney’s direct-to-streaming Christmas offering from Tim Story starring Chris ‘Ludacris’ Bridges, is a one-watch-and-done festive adventure. Review by Martha Lane.
Read MoreChristian Cooke’s 2023 feature ‘Embers’ breaks down our understanding of therapy and mental illness, achieving a short, sharp shock that lingers in the mind. Review by Kieran Judge.
Read MoreThe prequel to ‘The Hunger Games’ is another worthy entry into the canon, ‘The Hunger Games: The Ballad of Songbirds and Snakes’ offering a rich and intriguing peak into the past. Review by Margaret Roarty.
Read MoreEmerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
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