‘The Master’ at 10 – Review
Paul Thomas Anderson’s ‘The Master’, starring Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams in Oscar-nominated performances, is 10 years old. Review by Rachael Norris.
Read MorePaul Thomas Anderson’s ‘The Master’, starring Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams in Oscar-nominated performances, is 10 years old. Review by Rachael Norris.
Read MoreFor the first time in cinema history, the most prominent filmmakers of the day are retreating from portraying modern life. Why is this? And what effect does this have? Essay by Noah Sparkes.
Read MoreUnderstanding the filmmaking intent of Alex Garland: an analysis of Garland’s philosophy and use of iconography in his 2022 feature film ‘Men’. Essay by A. D. Jameson.
Read MoreHow Sofia Coppola mastered the art of historical inaccuracies in her modern and influential ‘Marie Antoinette’, starring Kirsten Dunst as the titular teenage royal. Essay by Emi Grant.
Read MorePark Ji-min embodies someone trying to find their place in the world in Davy Chou’s tale of lost identity, ‘Return to Seoul’ (2022). Review by Jake Gill.
Read MoreKristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.
Read More‘Top Gun: Maverick’ is the biggest hit of 2022 because it’s more than an action movie, it’s a romance flick dedicated to all the things we love, and love, and love again. Essay by Callum McGuigan.
Read MoreIn 2022, the blockbuster sphere’s choices in representation must face more scrutiny, particularly with regard to straightwashing bisexual comic book characters. Essay by Paul Klein.
Read More‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
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