In 2022, the blockbuster sphere’s choices in representation must face more scrutiny, particularly with regard to straightwashing bisexual comic book characters. Essay by Paul Klein.
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‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
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In ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.
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“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
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A love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.
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Cooper Raiff uses his films ‘Sh*thouse’ and ‘Cha Cha Real Smooth’ to re-evaluate the limits of masculinity, confronting limited stereotypes to present vulnerability as a strength. Essay by Tina Kakadelis.
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How Steven Spielberg’s direction helped to make the visual effects on ‘Jurassic Park’ (1993) not only revolutionary but the Gold Standard of Hollywood CGI. Article by Joseph Wade.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'