Embers (2023) Review

Embers (2023) Review

Christian Cooke’s 2023 feature ‘Embers’ breaks down our understanding of therapy and mental illness, achieving a short, sharp shock that lingers in the mind. Review by Kieran Judge.

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‘Killers of the Flower Moon’ Is Scorsese’s Macbeth Adaptation

‘Killers of the Flower Moon’ Is Scorsese’s Macbeth Adaptation

How Martin Scorsese’s ‘Killers of the Flower Moon’ (2023) is a modern interpretation of William Shakespeare’s “Macbeth”. Full essay and analysis by Kieran Judge.

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Second Cut’s Top 10 Best Films of All Time

Second Cut’s Top 10 Best Films of All Time

Regular 2nd Cut Podcast hosts Jacob Davis, Kieran Judge and Sam Sewell-Peterson discuss their selections for the 10 Best Films of All Time, with controversial picks (including a 3-in-1).

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Children of the Corn Movies Ranked

Children of the Corn Movies Ranked

All 11 ‘Children of the Corn’ horror movies, including the original 1984 Stephen King adaptation, ranked from worst to best. List by Kieran Judge.

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The Exorcist Movies Ranked

The Exorcist Movies Ranked

The Exorcist franchise films ranked. All 6 feature releases, from ‘The Exorcist’ (1973) to ‘The Exorcist: Believer’ (2023), ranked from worst to best. Article by Kieran Judge.

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The Exorcist: Believer (2023) Review

The Exorcist: Believer (2023) Review

‘The Exorcist: Believer’, from ‘Halloween’ director David Gordon Green, seems to apply the ‘twice as many kids, twice as scary’ logic to ‘The Exorcist’, much to its detriment. Review by Kieran Judge.

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10 Best Films of All Time: Kieran Judge

10 Best Films of All Time: Kieran Judge

The 10 best films of all time according to The Film Magazine podcaster and staff writer Kieran Judge. List in chronological order.

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Elevator Game (2023) Review

Elevator Game (2023) Review

‘Elevator Game’ (2023), the elevator horror film from Rebekah McKendry, is ‘Cube’ meets ‘Candyman’, but an insult to both. Review by Kieran Judge.

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A Haunting in Venice (2023) Review

A Haunting in Venice (2023) Review

The third film in Kenneth Branagh’s Poirot series takes a huge step away from Agatha Christie’s source material for this horror film lacking the novel’s magic. Review by Kieran Judge.

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