Texas Chainsaw Massacre (2022) Review
David Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MoreDavid Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MoreKenneth Branagh “entertains the hell out of you” in his adaptation of Agatha Christie book “Death on the Nile”, leading an all-star cast (including Gal Gadot) as Hercule Poirot. Review by Kieran Judge.
Read MoreSean Penn directs and stars in ‘Flag Day’ (2022) co-starring daughter Dylan Penn, though it’s a film that doesn’t live up to its potential as a serviceable family drama. Article by Kieran Judge.
Read MoreGuillermo del Toro returns to the big screen with ‘Nightmare Alley’ starring Bradley Cooper and Cate Blanchett, “a visual feast, a pleasure and a joy to behold and watch”. Kieran Judge reviews.
Read MoreThe return of Ghostface to the big screen in ‘Scream’ (2022), for the first time since the passing of creator Wes Craven, is “fun and gory but with a severe identity crisis”. Kieran Judge reviews.
Read More‘Halloween’ sequel ‘Halloween Kills’ (2021) is “an absolute mess. It’s a disgrace to the original”. Jamie Lee Curtis leads a horror movie ensemble. Kieran Judge reviews.
Read MoreNia DaCosta horror sequel ‘Candyman’ (2021), from producer and co-writer Jordan Peele, starring Yahya Abdul-Mateen II, feels less organic and poised than the original. Kieran Judge reviews.
Read MoreAmazon’s big summer blockbuster ‘The Tomorrow War’, from the director of ‘The Lego Batman Movie’ and starring Chris Pratt, is “only clever if you’ve never seen a sci-fi movie before”. Kieran Judge reviews.
Read MoreCult filmmaker Rainer Werner Fassbinder of the German New Wave is the subject of Oskar Roehler’s Cannes entry ‘Enfant Terrible’. Kieran Judge reviews.
Read More‘Wings’ (1927) is, for better or for worse, the first ever winner of the Academy Award for Best Picture. Close to 100 years later, its issues and triumphs are more evident than ever. Review by Kieran Judge.
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